Pimp C – Hogg In The Game.mp3

I don’t know how long that mp3 will be up but if it goes down you can hear the song at the Rap-A-Lot Records site. You’ll have to flip through the songs on the website’s player to hear it. Unfortunatly the mp3 that I posted is an editted version of the song and has cutesy boy yelling over it. As for when the actual Pimp C album drops I don’t have an answer for that, the website just says “coming soon” and in the world of hiphop record release dates that could mean never or next month. But fuck it, just download that shit and keep it trill as fuck.

FREE PIMP C!

In other news AllHipHop.com has a cutesy Willie D interview up.

I was like we got some dope s**t and a gimmick wont hurt. So if people saw a midget rapping, they would trip the f**k out, I know I would. Especially a midget talking about kicking somebody ass. So I was like, “Let me write him a song.” If he could rap, he could be in the group. So I asked Bill some size related questions and I came back in an hour with “Size ain’t S**t,” and three days later he was in then studio recording. That’s how Bushwick Bill joined the group. Even though I didn’t like Bill.

AllHipHop.com: Why?

Willie: We had an altercation before.

AllHipHop.com: You were about to fight a midget man? (Laughs)

Willie: S**t, I’ll fight anybody…I’ll fight a motherf***ing first grader if he step out of line (Laughs) But the Bushwick thing was a business move and I thought it was a good idea. And that’s how you got the Geto Boys that you know today

I hate this motherfucker. Fuck his umbrella, fuck his bowties, and fuck his shitty ass rapping. Apparently when you sign up to become Puffy’s personal bitch you also become a fucking rapstar. I can’t stand this guy. According to him he doesn’t even rap, “What I do is to be referred to as `dissertation over instrumental.’ ” And people thought anticon was pretentious? Its all some bullshit attempt to make him out to be with worldy renaissance man. I think he’s a eloquent piece of shit. The guy is even starting his own line of luxury umbrellas. My fucking god how stupid do you have to be to buy this shit. Sweet crap the man refers to his goddamn socks as “men’s hosiery.” SOCKS!!! What the fuck bitch, they are goddamn socks, get it right you fucking jackass. Farnsworth wants to bring back the “gentleman” but I think he’s trying to bring back the bitchman. What guys need to learn about is how to fix their goddamn cars not how to do a fucking four-in-hand knot with an overpriced tied. Fuck Farnsworth Bently and his motherfucking pocket squares.

If you too would like to ride an umbrella to hiphop stardom well then go here

KRS-One responded to the NY Daily News, after the newspaper ran an article that labeled him a “Hip-Hop anarchist” & said the he expressed solidarity with the Al-Qaeda. “No one should ever believe anything that the one-sided Daily News has to say about the same Hiphop community that it has tried so desperately to undermine for years,” KRS said.

Peep the rest of it here.

OK maybe this isn’t newsworthy at all, but, according to this kid who frequents my comments section, Foxy Brown received a $500,000 advance to record for Jay-Z’s new label and spent $250,000 of it on a new Bentley. Just thought you’d all like to know that.

KRS-One, decency zero

If Osama Bin Laden ever buys a rap album, he’ll probably start with a CD by KRS-One.

The hip-hop anarchist has declared his solidarity with Al Qaeda by asserting that he and other African-Americans “cheered when 9/11 happened.”

The rapper, whose real name is Kris Parker, defiled the memory of those who died in the terrorist attacks as he spouted off at a recent New Yorker Festival panel discussion.

“I say that proudly,” the Boogie Down Productions founder went on, insisting that, before the attack, security guards kept black people out of the Trade Center “because of the way we talk and dress.

“So when the planes hit the building, we were like, ‘Mmmm – justice.’”

The atrocity of 9/11 “doesn’t affect us [the hip-hop community],” he said. “9/11 happened to them, not us,” he added, explaining that by “them” he meant “the rich … those who are oppressing us. RCA or BMG, Universal, the radio stations.”

Parker’s screed drew a loud boo from novelist Tom Kelly, who was in the audience. “I lost six friends there on 9/11,” Kelly told us afterward.

Parker also sneered at efforts by other rappers to get young people to vote.

“Voting in a corrupt society adds more corruption,” he added. “America has to commit suicide if the world is to be a better place.”

Ex-Nirvana rocker Krist Novoselic, who was on the panel, yelled back: “That is wrong, man. Suicide is not the answer.”

But, judging by Parker’s downward-spiraling career, he’s already bent on self-destruction.

“Houston based artist CHAMILLIONAIRE, a.k.a KOOPA, who has sold more than 150 thousand units Independently and whose last mixtape sold more than 40 thousand units in its first month, has signed a multi-million dollar deal for his label CHAMILLITARY ENTERTAINMENT to partner up with UNIVERSAL RECORDS. The joint venture was negotiated by Chamillionaire’s recently signed manager Charles Chavez of Houston’s Latium Ent. and Fred Davis of New York based Davis, Shapiro, Lewitt, Montone and Hayes. The first release on the new imprint will be Chamillionaire’s highly anticipated solo album “CONTROVERSY SELLS”, which does not have a release date as of yet.”

Source.

Chamillionaire.com

According to CNN, Universal Music Group is close to a deal to buy out the rapper and producer Jay-Z and his partners from their venture, Roc-A-Fella Records, a published report said Monday. The New York Times, citing people involved in the negotiations, said Universal Music plans to bring the entertainer into its executive ranks by naming him president of the Def Jam Recordings label. Universal Music, a unit of Vivendi (V: Research, Estimates), is expected to pay about $10 million to unravel the partnership in Roc-A-Fella, which has provided the music label with a series of platinum-selling hits, most recently Kanye West’s “College Dropout,” the paper said. The deal with Universal Music may seem impossible after Jay-Z announced earlier this year that he is retiring from making albums. But the rapper has made this proclamation many times before. If Jay-Z plans to record new music, he would be under contract to release it through Universal Music, but he is free to strike a deal for the creation of a new start-up label or take an executive post with any music company, the Times said. At the moment, Warner Music Group, a rival of Universal Music, is also pursuing the singer/producer, the report said. Universal Music and Roc-A-Fella weren’t available for comment. Warner Music declined to speak about its interest in the artist.

Anyway, here are some tracks.

Jay Z, RKelly, Twista-Get This Money Remix-http://www.hiphopgame.com/player1212.php

Eminem Just Lose It remix by Green Lantern-http://www.hiphopgame.com/player1214.php

http://www.hiphopgame.com/player1223.php

“Knuck if you Buck” is one of the year’s best singles so I decided to check out the album.

Crime Mob’s album is on Reprise which is the same label that released the great Lil Scrappy/Trillville record earlier this year. They sound like related albums in a strange way, like Scrappy/Trillville is the sound of Lil Jon’s big-budget super-club crunk and Crime Mob is the stripped down, minimalistic, even skeletal low-budget cousin. And it is almost as good an album, too.

Crime Mob is six members, Killa C, Cyco Black, Jock, Lil Jay, Princess and Diamond. Their beats are gothic and minor-key and they sometimes sound like 3-6 but without the bombast and they definitely sound much younger. In fact they sound so young that it made me think of early hip-hop in many ways, especially the low-budget feel of the production and the fact that they rap like a team, trading verses without one MC dominating the preceedings so the Crime Mob becomes more important than any individual rapper. They also sound young because they keep messing up and sliding off the rhythm but they rap with a lot of passion and that makes up for it a bunch. “Knuck if you Buck” was the first single and it looks like the second single is gonna be “Stilettos (Pumps)” which is a great song that features Diamond and Princess, the two girls who really tear shit up on this album.

Sometimes it gets a little samey and overall I’d say this album is more promising than great but I like it a lot anyway.

Here is an mp3 of “Black Market Bonus” which kicks off with this crazy burbling noise.

You can buy the Crime Mob album here.

Tha Killa Klan from Houston, TX was founded by Pharoah of the Street Military. Tha Killa Klan consist of Street Military (Pharoah, K.B., Lil’ Flea, Icey Hott, R.I.P. Nutt), Z-Ro and Trae of Guerilla Maab, Klondike Kat, G-Rapp The General, BAM, Stack Pack and Burton Boys. Tha Killa Klan is also a part of the South Park Coaliton.

K.B. and Lil’ Flea – Killaz On The Trigga

K.B. and Lil’ Flea – Jack Move

On the Killa Klan site they have two of these K.B. and Lil Flea tracks and both use that high pitched keyboard sythn sound and it gives them that westcoast g-funk feel. The added reggae bit reminds me of early/mid 90′s bay area gangsta tracks that use to have some guest with the reagge twist do the hooks (see Spice1 and Method Man’s Hard To Kill). These two songs were released in 98(probably recorded in like 97) so that’s why they sound dated but fuck it they are still dope.

Street Military – Steel Gangstaz

Street Military – Gasta Get Paid

Now the first song, Steel Gangstaz, is way better second one. This song is what I love about Street Military, dudes just go hard as fuck on this shit proving that they are still G’ed Up as fuck. I’m a sucker for loud, abrasive, and pissed off rapping. As long as you got some folks yelling and someone telling me to “get’em up” then I’m a happy man and I will put my guns up. I don’t know who it is that does the second verse but man whoever he is fucking kills that shit.

As for the second song, Gasta Get Paid, it has that crazy keyboard bit that comes out of nowhere. It doesn’t fit the beat at all. Actually now that I think about it who ever made it has been playing Castlevania way to much. Then there is that guitar at the end of the song that sounds cheesy as fuck. You would think people would have figured out to get rid of those lame rock bits already. I thought RockBox proved just how cheesy that shit is. It’s actually not even that good of a song but I like that buzzing synth. The rapping isn’t recorded too well; it sounds like they recorded the songs in the shower but even with that I still dig the song. Maybe I shouldn’t even have posted it but whatever Street Military is good for your mommy.

Slim Shady is back again and pulling no punches in his controversial new video “Just Lose It.” This time, he’s targeting the King of Pop and, apparently, the King is popping back.

From the video’s opening routine reminiscent of Jackson’s “Billie Jean,” to the case of the nose with a mind of its own, Eminem pulls no punches as he takes on everything from the 1984 accident in which Jackson’s hair caught fire to allegations Jackson plied his underage accuser with wine, calling it “Jesus juice.” Though the images arguably indicate otherwise, in his lyrics, Eminem insists he’s not attacking Jackson, as he rhymes, “I done touched on everything but little boys. That’s not a stab at Michael — that’s just a metaphor — I’m just psycho.”

Nevertheless, the video has sparked a flurry of published reports alleging Jackson is furious and considering legal action.

Jackson’s spokesperson, Raymone Bain says that’s half true — so far Jackson hasn’t threatened to sue, but he is piping mad.

“It’s untimely and, quite frankly, outrageous,” said Bain of the video. “”What was Eminem thinking? Because I don’t think he would want anyone to treat him that way, particularly as a father. I think he should reconsider what he’s done.”

Jackson is asking networks to pull Eminem’s video off the airwaves. Bain tells “CJ” that, so far, only BET has agreed.

Eminem says he’s only poking fun at pop culture in the video, which also takes on Madonna’s “Like a Virgin” routine from “Truth or Dare,” MC Hammer’s parachute pants, Pee Wee’s big adventure, and the movies “Old School,” “Bad Santa,” and Eminem’s own “8 Mile.” Eminem’s also got a team of celebrity supporters who appear in the video — hotel heiress Paris Hilton, “8 Mile” co-star Mekhi Phifer, former “CHIPS” star Erik Estrada and “Bad Santa” star Tony Cox.

A spokesperson for BET tells “CJ” that the network has indeed pulled the video, at Jackson’s request — adding BET made the decision because of the video’s content and out of respect for the network’s long relationship with Michael Jackson.