Archive for October, 2004

30
Oct
04

Hip-Hop Box Volume 2

So with some assistance from myself and Erick, Andrew Unterberger

came up with a 4-disc set that builds on the original “Hip-Hop Box.” I have a few criticisms of the last disc but for the most part he does a good job of covering a lot of the bases that the other set missed.

Here it is:

Disc 1 (1979-1987):

01. The Sequence – “Funk You Up”

02. Funky Four Plus One – “That’s the Joint”

03. ESG – “Moody” (slightly questionable but countable)

04. Spoonie Gee & The Treacherous Three – “Love Jam”

05. Newcleus – “Jam on It”

06. Egyptian Lover – “Egypt Egypt (12″ Version)”

07. Doug E. Fresh and Slick Rick – “The Show”

08. Mantronix – “Bassline”

09. Marley Marl & MC Shan – “The Bridge”

10. LL Cool J – “Goin’ Back to Cali”

11. Big Daddy Kane – “Raw”

12. JJ Fad – “Supersonic”

13. DJ Cash Money – “Ugly People Be Quiet”

Disc 2 (1988-1991):

01. EPMD – “You Gots to Chill”

02. Ultramagnetic MCs – “Kool Keith Housing Things”

03. Rob Baze & DJ EZ-Rock – “It Takes Two”

04. Jungle Brothers – “I’ll House You”

05. Stetsasonic – “Talkin’ All That Jazz”

06. N.W.A. – “Express Yourself (12″ Version)”

07. Slick Rick – “Children’s Story”

08. Young MC – “Bust a Move”

09. Beastie Boys – “Hey Ladies”

10. Stezo – “It’s My Turn”

11. Kool G. Rap – “Streets of New York”

12. Digital Underground – “The Humpty Dance”

13. Brand Nubian – “Wake Up (Stimulated Dummies Mix)”

14. KMD – “Peachfuzz”

15. Leaders of the New School – “Case of the P.T.A.”

16. Geto Boys – “Mind Playin’ Tricks on Me”

17. Cypress Hill – “How I Could Just Kill a Man”

Disc 3 (1992 – 1995):

01. Das EFX – “Mic Checka”

02. Raekwon f/ Cappadonna, Method Man & Ghostface Killah – “Ice Cream”

03. Souls of Mischief – “’93 ‘Til Infinity”

04. Snoop Doggy Dogg f/ Tha Dogg Pound – “Doggy Dogg World”

05. Ice Cube – “It Was a Good Day”

06. Lucas – “Lucas With the Lid Off”

07. UGK – “It’s Supposed to Bubble”

08. N’ Tyce f/ Method Man – “Hush Hush Tip”

09. Black Moon – “I Gotcha Opin (Remix)”

10. Ahmad – “Back in the Day”

11. The Notorious B.I.G. – “Juicy”

12. Nas – “The World is Yours”

13. Jeru the Damaja – “Come Clean”

14. O.C. – “Time’s Up”

15. Blahzay Blahzay – “Danger!”

16. Luniz – “I Got Five on It”

17. Ol’ Dirty Bastard – “Shimmy Shimmy Ya”

18. Mobb Deep – “Shook Ones, Pt. II”

Disc 4 (1996 – 2004):

01. Foxy Brown f/ Jay-Z – “I’ll Be”

02. OutKast – “ATLiens”

03. Missy Elliott – “The Rain (Supa Dupa Fly)”

04. Big Punisher – “I’m Not a Player”

05. Lil’ Kim f/ The Notorious B.I.G. and Lil’ Cease – “Crush on You”

06. Canibus – “Second Round Knockout”

07. MF Doom – “Doomsday”

08. Black Eyed Peas – “Joints and Jam”

09. Three Six Mafia – “Sippin’ on Some Syrup”

10. Jay-Z f/ Josey Scott – “Takeover”

11. Eminem – “Kill You”

12. The Clipse f/ Pharell – “Grindin’”

13. Ludacris – “Rollout (My Business)”

14. David Banner f/ Lil’ Flip – “Like a Pimp”

15. Lil’ Jon & The Eastside Boys f/ Ying Yang Twins – “Get Low”

16. Freeway f/ Beanie Segal and Jay-Z – “What We Do”

17. Kanye West – “Through the Wire”

18. Terror Squad f/ Fat Joe – “Lean Back”

29
Oct
04

Eminem needs to go back to killing his wife

I may be in the minority in that I think Eminem’s new video is kinda gay even if you don’t count the fact that the song itself is damn near unlistenable. But never mind that. What I really wanted to say is that I really haven’t been as interested in anything Em has had to say since he stopped writing about how he wanted to kill his wife and about how all pop stars are faggots. I’m a firm believer that one should stick to what one does best. I think that ever since the gay community got all pissed off at Em’s lyrics and since he decided to go to Hollywood and do 8 Mile, his music has suffered considerably. I wouldn’t be surprised if, after this next album (which will suck), Em decides to give up rap altogether in favor of acting or producing or some shit.

All pop stars are faggots.

29
Oct
04

The Legend that is Paul C

This was posted back in August but if you love hip-hop, you need to check it out – one of the unsung heroes of hip-hop production in the late 80s, Paul C died at the age of 24 in 1989. The piece is by Dave Tompkins and it’s easily the most comprehensive bit that’s ever been written on Paul C.

28
Oct
04

Eminem’s new single is actually starting to grow on me

The video’s still such a cheap shot and kinda retarded, but I’m not really into hip-hop for the videos (unless they involve strippers) anyway. But, as far as Em’s poppy, lead-off throwaway singles are concerned, I think this one might actually be the best one. (And I know that’s not saying much, but follow…) It’s really dumb, but I think it might take having to listen to it fucked up (like I am now) to realize how funny it actually is. Also, how much you like or dislike it may depend on whether or not you find shit like homophobia funny. I mean, since this is 2004 and there are probably a lot of people who don’t but feel like their opinion actually matters.

On the other hand, this new “Mosh” shit that everybody’s been raving about is just, the absolute worst shit I’ve ever heard before in my life. I don’t care if it is political, it fucking sucks.

I was drinking Natural Light back before it was cute.

28
Oct
04

Killin’ it

If you can deal w/ the lack of punctuation and capitalization, head over to Gel and Weave where plum drank is dropping science on classic Master P. The only P stuff I was really aware of was when Mystikal started to blow because that’s when girls would start wearing those t-shirts with spray painted art on them and they said “No Limit” and had pictures of Mystikal on them. I was more into cash money and jazz but I still remember this girl talking about how Mystikal was buggin’ on record. I also remember “It Ain’t My Fault” by Silkk was a big anthem. Chicago gave a lot of support to southern rap when I was in high school (1997-2001). Anyway No Limit gets a lot of shit from critics still but I’m going to explore that shit more and thanks to guys like dude at “Gel and Weave” I get more and more interested every day. It’s fascinating that P spent time in Oakland – I had no idea. Dude put up 4 mp3s too that you should check, although they’ll go quickly because they’re on “You Send It” which is getting less reliable. Master P was releasing music in ’92!

27
Oct
04

Stealing Tapes And 45′s From The Local Record Store



(excuse the shittiness of the images, I scanned the cover of my old tape for this.)

This post was inspired by this post a few weeks ago.

I was either 13 or 14 years old when I first heard this tape. When it dropped Homies was their lead single off this shit and on Phoenix’s Power 92.3 it was getting constant rotation. Homies was my motherfucking jam. It was on some feel good sunday afternoon type shit. Kind of made sense since the song was on the same tip as “On A Sunday Afternoon” which was their most popular song off their debut album, Brown And Proud. I don’t know how popular the song was outside of the southwest but “On A Sunday Afternoon” was the feel good summer jam at all the lowrider shows. LSOB never enjoyed the level popularity of Cypress Hill but in 1992 they were probably the 2nd largest latin act out there. Oh and for those that don’t know Lighter Shade Of Brown was made up of two mc’s ODM (One Dope Mexican) and DTTX (Don’t Try To Xerox). I remember when I first heard LSOB I was so fucking stoked that there were latin rappers out there on some brownpride type shit. Cypress Hill was out there but they weren’t rapping about Pacho Villa and fucking Zapata so when I heard LSOB doing it I fucking ate that shit up trying to be the brownest mexican I could be.

When I scrounged up enough money to buy the tape I hoped on my bike and rolled over to Christown mall and bought the motherfucker at Montgomery Ward. For some reason this Montgomery Ward had a music section and it was cheap. I think that is also where I bought Enter The 36th Chamber.

Anyways, my favorite song on the album has to be the posse cut at the very end, Interrogated Cause I’m Brown PT 1+2. The song features KAOS, Street Mentatlity, PeeBee, Aztlan Nation and ALT. Its definetly not one of the greatest posse cuts ever but I don’t care I still think the song is fucking dope. The beat isn’t anything too amazing and the lyrics aren’t on some next shit but so the fuck what. They are talking shit about immigration cops and thats fucking great. This song was my lighter shade of fuck the police.

No more mp3 time:

Interrogated Cause I’m Brown

Homies


26
Oct
04

Possible Nas tracklist

Street’s Disciple Tracklisting:

CD1 “The Streets”

1. Get Up

2. Nazareth Savage

3. Play On Playa

4. Just A Moment

5. Serious

6. Rest Of My Life

7. You Know My Style (re-recorded)

8. Titalating

9. Reason

10. American Way

11. Sekou Story

12. Suicide Bounce

CD2 “Apostles”

1. Street’s Disciple PT. 1

2. Rakim Bio

3. Remember The Times (Good Morning)

4. Perfect Bitch

5. Getting Married

6. Bridging The Gap

7. War

8. Me & You

9. No One Else In The Room

10. Live Now

11. Disciple (U Kno My Style Original)

12. Thief’s Theme

13. Thief’s Theme UK Remix feat. Rising Son

26
Oct
04

Awwwready Platinum

So this afternoon I was rolling down the slab on my new vogues when I saw the ghost of Dj Screw. I pumped by brakes so hard I almost broke my woodgrain steering wheel. So I jumped out of my candy coated Excursion and just as my feet touched the pavement Screw tossed me the new Slim Thug album, Already Platinum. I said “Thank you ghost of Dj Screw” and he told me “don’t sweat it mayne, I’m da thoedest, awwwready.” And I replied “yes, you are the thoedest.” Then I got back in the Excursion and threw the cd in as I continued to roll down the slab.

Now I guess I should apologize to the ghost of Dj Screw because he gave me this cd and I truely appreciate it but to tell you the truth I’m kind of dissappointed in the album. There are definetly some dope tracks on here but I think the Neptunes got to meddling a little too much. A few months back I heard “I Ain’t Heard” which was the lead single off this and its produced by the Neptunes and that song fucking sucks. I started to worry that this album might not be good but then Three Kings came out and that song fucking rules. So after hearing that I was thinking oh this shit is going to be heat all the way. But as it turns out I think its kind of on some middle ground shit, well as to what I would like to hear. Maybe I had my hopes up too much for this album but whatever. I’ve never been to crazy about the Neptunes so you have to take that into account. But after listening to this album I feel as though what the Neptunes tried to do and failed that they tried to fit Slim Thug to their sound rather than working Slim’s own sound and style. He’s not known because he raps over beats with no bass, he’s known because he wrecks hard ass southern beats.

I guess a primary example of my issue with the production on this album would be track 9, Problematic. You see this song could be hard as fuck, Slim gets real cute with his shit but the beat has no fucking bass and that shit just isn’t cool with me. If I wanted to enjoy songs with no bass I’d go listen to the fucking Young Gunz or some shit. The way the song starts out I’m expecting the beat to drop in and just blow my ears out but that never happens. Slim steps up his flow and comes faster than usually. For a song that has Slim rapping about how you’re scared to call the laws because you don’t want it with him and his hoggs the beat is on the softer side of hiphop. Production aside I think Slim goes hard on this album and I’m happy about that. I just think they should have left off some of the softer beats.

But enough of talking about the weak parts though. The album starts out with this track called “Move Somethin,” which is dope. The beat has a New York feel to, at least I think so anyways. Then comes the second track, Like A Boss. Mayne hold up, this shit fucking knocks. 3 Kings is my favorite song on the album but this is a close second. Slim has some girl in the background yelling about how he is the motherfucking boss and the beat definetly helps drive home who is the fucking boss. Jazze Phae makes a contribution to the album on “So Incredible.” I’m not to crazy about Jazze’s singing but at least his beat is alright, he’s getting cute with some organs and guitars. Another track I like is “Rockstar,” its got this guitar that kind of gives it that country rap tunes feel. It’s a pretty chill beat but I like it plenty. I also like “Too Clean” well besides the fact that in parts of the song nothing fucking happens. They just let the beat play for like 30 seconds. They didn’t even get real cute with it or anything, its actually sounds like they messed up and couldn’t get the mics to work. Also I could do without bitch ass Pharrell whispering “too clean.” Whatever issues I have with the Neptunes I still think its a worthy purchase. So yeah I’m going to throw up a few mp3s. Get them while their fucking hot or before the ghost of Dj Screw tells me to take them down.

I told you to hurry but now its too late. Way to go you slow ass bitches.

Like A Boss

Move Somethin

Rockstar


26
Oct
04

Mos Def New Danger controversy

Remember when these two guys didn't suck?

Blogger Byron Crawford, who also happens to be myself, on the fact that tall Israelis really are running this rap shit.

NOTE: You guys should get Haloscan, with its TrackBack feature, so that I can get really self-referential.

Fast food employees are running this blog shit.

25
Oct
04

T-Rock (if you like 2pac…)



Mr. Washington Story (2004)

T-Rock – “Little or Nothin”

I first heard about T-Rock from a friend who described him as being the “next twista.” I’m not sure what he meant by that because he doesn’t sound like Twista at all – although he may just have meant that all he needs is some good production and he will blow, and that’s probably true. T-Rock was a part of the hypnotize camp posse and had a great song “Slang and Serve” on the Choices soundtrack. He broke away from 3-6 and I’ve heard various things about money issues and his solo album being delayed but either way he doesn’t really seem to fit into the 3-6 style anyway. He’s very lyrically-oriented, in to conspiracy theories and is very political. He’s sort of like Ras Kass except he doesn’t lecture you.

His wordplay keeps it interesting and his voice is magnetic and sounds strained with the weight of the world, like he’s putting everything he has into every song. He can be very depressing to listen to for very long, and his beats, while not as bad as Eminem’s production, ride that dark, gothic, somewhat crappy piano shit sometimes. He needs better beats. He sort of reminds me of 2pac, with those empathic vocals and inner turmoil that sounds like it will destroy him. Add a dash of paranoia and you have the pastor troy influence. He’s quite good.

Buy Mr. Washington Story here.